Philosophy of the Tent:

The best decorating and design takes inspiration from what was once done before. Whether it is in architecture, antiques, art, it all stems from a mix of inspiration and knowledge. I believe it is a duty to pass on and share the knowledge, and by no means do I think I have great knowledge, in fact the more I know the less I know.
This blog is a way not to forget what I have learned and what was kindly passed onto to me by a great many fascinating people. I thank you all.


Saturday 22 November 2014

Market Souk Bazaar

This post is relevant only to those of you who live here or plan to visit, apologies if this is dull to others although if you are anything like me you will enjoy learning about something new from elsewhere.

I have been engrossed in my mumpreneur business of hair accessories.  It’s so far a lot of fun, and as part of my research I have done the rounds of Dubai’s ‘artisan’ (very sadly an overused term by non-artisan people) markets, arts and crafts souks, festive bazaars, Christmas fairs… and the list goes on.

On my travels I found a lot of overpriced tat including not very good rugs being passed off as ‘antique kilims', well this is Dubai so anything goes I suppose.  

Having said that I came across 3 lovely sellers with incredible taste. 
In no particular order, lovely in equal measures:

First Kirralicious and her Oh so chic goblets, trays, bowls and jugs with the chicest motifs. All handmade. How I have no idea but simple and beautifully finished and at 30 dhs for a goblet you can have one in every room really.  Contact via website www.kirralicious.com or www.facebook.com/kirraliciousliving



And then Tiger and Arcadia, with really beautiful Indian block print shorts (perfect to sleep in) in fine percale cotton, as well as Khanta like scarves in beautifully put together designs.  
Contact via website www.tigerandarcadia.com




Last but certainly not least the hugely stylish Sin jewellery, incredibly sophisticated pieces of Buffalo horn, Jade and passementrie.  Contemporary and enduring pieces you would expect to see at Harvey Nichols or Boutique 1, my piece of Jade and peridot green passementrie certainly does but without the HN price tag.  Contact via email sin.in.dubai@gmail.com


Saturday 11 October 2014

Monday 23 June 2014

Islamic Ceramic Bowls

With the holy month of Ramadan approaching fast, here are a few examples of  9th to early 13th Century Islamic ceramic bowls. Thousands of year back in time and yet they have something of the Arts and Crafts movement, a little Neisha Crosland with a hint of the Bloomsbury Group and Lucienne Day about them, see if you agree

Bowl Iran, Nishapur or Turkestan, Afrasiyab Bowl, 10th century Ceramic; Vessel, Earthenware, underglaze slip-painted, 2 3/4 x 7 3/4 in. (6.99 x 19.69 cm) The Nasli M. Heeramaneck Collection, gift of Joan Palevsky (M.73.5.186) Art of the Middle East: Islamic Department.

Bowl Iran, Nishapur or Turkestan, Afrasiyab Bowl, 10th century Ceramic; Vessel, Earthenware, underglaze slip-painted, 2 3/4 x 7 3/4 in. (6.99 x 19.69 cm) The Nasli M. Heeramaneck Collection, gift of Joan Palevsky (M.73.5.186) Art of the Middle East: Islamic Department.

Bowl Iran Bowl, 9th-10th century Ceramic; Vessel, Earthenware, tin-glazed and stain painted, 2 1/2 x 8 in. (6.35 x 20.32 cm) The Nasli M. Heeramaneck Collection, gift of Joan Palevsky (M.73.5.133) Art of the Middle East: Islamic Department.

Bowl Iran Bowl, 9th-10th century Ceramic; Vessel, Earthenware, tin-glazed and stain painted, 2 1/2 x 8 in. (6.35 x 20.32 cm) The Nasli M. Heeramaneck Collection, gift of Joan Palevsky (M.73.5.133) Art of the Middle East: Islamic Department.


Bowl inscribed with sayings of the Prophet Muhammad and Ali ibn Abi Talib, Uzbekistan - In Harmony: The Norma Jean Calderwood Collection of Islamic Art

Uzbekistan, Samarkand, Samanid period, 10th century
Harvard Art Museums/Arthur M. Sackler Museum

<Mina&#39;i> bowl with abstract pattern

                    Bowl, second half 12th–early 13th century, Iran
Stonepaste; polychrome inglaze and overglaze painted on opaque monochrome glaze (mina'i)
from The Metropolitan Museum of Art


Bowl | Origin:  Iraq | Period: 9th century  Abbasid period | Details:  Among the earliest surviving works of art decorated with writing are a group of ceramic vessels, produced in Iraq and Iran under the rule of the powerful Abbasid dynasty (749–1258). Inspired by the whiteness and purity of the much admired, imported Chinese porcelain, Muslim potters created their own "white ware" by covering their buff-colored earthenware vessels with a glaze containing a small amount of lead and tin, which turns opaque when fired. Unlike the Chinese models, most of the Abbasid vessels were embellished with a variety of motifs, including calligraphic designs. This bowl combines both vegetal motifs and calligraphic design in cobalt and copper glazes. Surrounded by windswept palmettes, the inscription in the center confers blessings to the owner. | Type: Bowl; earthenware painted over glaze. | Size: H: 5.7  W: 20.8   D: 20.8  cm | Museum Code: F2000.2 | Photograph and description taken from Freer and the Sackler (Smithsonian) Museums.

Bowl , Iraq, 9th century Abbasid period 
from Freer and the Sackler (Smithsonian) Museum

See many more examples of Islamic Ceramics from the Islamic Arts website here 

Sunday 25 May 2014

Blue Qu'ran

I previously posted a Kufic folio at auction by Christie’s.  In researching Kufic script as part of an Islamic Art and Architecture course I came across the ‘Blue Qur’an’ (mid-9th-10th Century) or the Kairouan Koran as it is sometimes referred to.  Believed to have originated in Qairawan (Kairouan), Tunisia but disputed as possibly being from Cordoba, Spain instead and produced under the Umayyad rule.
The Blue Qur’an was produced on indigo dyed vellum, possibly inspired from the tradition of purple parchment vellum used for Byzantine imperial manuscripts. The script is of painted gold and silver from grinding the metal and suspending in solution. 
Kufic script, the oldest style of Islamic calligraphy, with strong and weighty elongated strokes and unlike later Qur’an folios which are illuminated and far more complex in artistic nature, with a geometrical balance in the symmetrical borders, layout and embellishment, the Kufic folios rely instead on balance across the size of the page from the exaggeration of the strokes so that the verses are evenly distributed and form their own frameless boundary.


Below an image of the blue Qu'ran from the met, more images available on the page 





Above a Kufic folio late 9th–early 10th century probably Syria, also from the Met




Friday 8 February 2013

Finally Fermoie

On a slow boat but finally I receive my Fermoie samples and I am not disappointed.  Of course the makers behind Farrow and Ball, Martin Ephson and Tom Helme, were unlikely to get it wrong and the colours are predictibly sublime.  The patterns are delicious and the cloth I am sure will make up very well and that is often a little more difficult to predict but it is what makes a fabric come into its own and have that everlasting quality. 
All images below from the website where fabrics can be bought online





Recently Fermoie have added accessories to the range including cushions and below charming lampshades which are so difficult to source here in the UAE



Monday 31 December 2012

Wabi and a Happy New Year

Paint is especially difficult here as I have mentioned a few times before.  I find a) it is very toxic smelling b) The finishes are not as good c) I don't know the colours as well as I did back home making it a very long trial and error session.
And error I did around this time last year with the sickliest baby blue found on an Ace chart which was very quickly to be changed to Dulux Graceful Green.

With perfectionism brings dissatisfaction and sometimes procrastination in search of the ideal.
The sickliest blue taught me one of life's great lessons, via a dear Japanese friend: Wabi.
She described Wabi as: Japanese aesthetic. Assumes nothing in life is permanent, we are in a transient and imperfect state, and you can seek solace and beauty in imperfection.

I decided to make Wabi my resolution for 2012 and it has served me well.  I will always love quality, beauty, craftsmanship but a little imperfection makes for uniqueness makes for a special kind of beauty and Wabi has made me a lot more relaxed about how I put things together - except for the sickly blue of course!  Still im-perfecting my own resolutions for the coming year, I have until midnight

A very Happy 2013 to you all, may your resolutions be meaningful and good for the soul.  


Framed 19th Century Wallpaper Panel - Large Cherry Blossom at 1st Dibs