Market Souk Bazaar

This post is relevant only to those of you who live here or plan to visit, apologies if this is dull to others although if you are anything like me you will enjoy learning about something new from elsewhere.

I have been engrossed in my mumpreneur business of hair accessories.  It’s so far a lot of fun, and as part of my research I have done the rounds of Dubai’s ‘artisan’ (very sadly an overused term by non-artisan people) markets, arts and crafts souks, festive bazaars, Christmas fairs… and the list goes on.

On my travels I found a lot of overpriced tat including not very good rugs being passed off as ‘antique kilims', well this is Dubai so anything goes I suppose.  

Having said that I came across 3 lovely sellers with incredible taste. 

In no particular order, lovely in equal measures:

First Kirralicious and her Oh so chic goblets, trays, bowls and jugs with the chicest motifs. All handmade. How I have no idea but simple and beautifully finished and at 30 dhs for a goblet you can have one in every room really.  Contact via website www.kirralicious.com or www.facebook.com/kirraliciousliving

And then Tiger and Arcadia, with really beautiful Indian block print shorts (perfect to sleep in) in fine percale cotton, as well as Khanta like scarves in beautifully put together designs.  

Contact via website www.tigerandarcadia.com

Last but certainly not least the hugely stylish Sin jewellery, incredibly sophisticated pieces of Buffalo horn, Jade and passementrie.  Contemporary and enduring pieces you would expect to see at Harvey Nichols or Boutique 1, my piece of Jade and peridot green passementrie certainly does but without the HN price tag.  Contact via email sin.in.dubai@gmail.com

Going Girlie

Tents and Camels is going girlie, what do we think?

Islamic Ceramic Bowls

With the holy month of Ramadan approaching fast, here are a few examples of  9th to early 13th Century Islamic ceramic bowls. Thousands of year back in time and yet they have something of the Arts and Crafts movement, a little Neisha Crosland with a hint of the Bloomsbury Group and Lucienne Day about them, see if you agree

Bowl Iran, Nishapur or Turkestan, Afrasiyab Bowl, 10th century Ceramic; Vessel, Earthenware, underglaze slip-painted, 2 3/4 x 7 3/4 in. (6.99 x 19.69 cm) The Nasli M. Heeramaneck Collection, gift of Joan Palevsky (M.73.5.186) Art of the Middle East: Islamic Department.

Bowl Iran Bowl, 9th-10th century Ceramic; Vessel, Earthenware, tin-glazed and stain painted, 2 1/2 x 8 in. (6.35 x 20.32 cm) The Nasli M. Heeramaneck Collection, gift of Joan Palevsky (M.73.5.133) Art of the Middle East: Islamic Department.

Bowl inscribed with sayings of the Prophet Muhammad and ʿAli ibn Abi Talib

Uzbekistan, Samarkand, Samanid period, 10th century

Harvard Art Museums/Arthur M. Sackler Museum

                    Bowl, second half 12th–early 13th century, Iran

Stonepaste; polychrome inglaze and overglaze painted on opaque monochrome glaze (mina'i)

from The Metropolitan Museum of Art

Bowl , Iraq, 9th century Abbasid period 

from Freer and the Sackler (Smithsonian) Museum

See many more examples of Islamic Ceramics from the Islamic Arts website here 

Blue Qu'ran

I previously posted a Kufic folio at auction by Christie’s.  In researching Kufic script as part of an Islamic Art and Architecture course I came across the ‘Blue Qur’an’ (mid-9th-10th Century) or the Kairouan Koran as it is sometimes referred to.  Believed to have originated in Qairawan (Kairouan), Tunisia but disputed as possibly being from Cordoba, Spain instead and produced under the Umayyad rule.

The Blue Qur’an was produced on indigo dyed vellum, possibly inspired from the tradition of purple parchment vellum used for Byzantine imperial manuscripts. The script is of painted gold and silver from grinding the metal and suspending in solution. 

Kufic script, the oldest style of Islamic calligraphy, with strong and weighty elongated strokes and unlike later Qur’an folios which are illuminated and far more complex in artistic nature, with a geometrical balance in the symmetrical borders, layout and embellishment, the Kufic folios rely instead on balance across the size of the page from the exaggeration of the strokes so that the verses are evenly distributed and form their own frameless boundary.

Below an image of the blue Qu'ran from the met, more images available on the page 

Above a Kufic folio late 9th–early 10th century probably Syria, also from the Met